Dear Jules,

I hope you don’t mind me calling you that. This letter is in regard to your new album that released today. I would like to begin by congratulating you and The Strokes on a marvelous job this time around. I had to give
Angles two listens front-to-back, and I figured the name of the album has to do with the “
democratic” approach you guys took with this piece of work. The music video for
Undercover of Darkness upped my respect for you. It really shows you can be the bigger man and laugh at yourself, which I can appreciate on a personal level.
But you’re no novice when it comes to flexing your funny bone; your collaboration with Andy Samberg of
Saturday Night Live during The Strokes’ hiatus could be treated as a legitimate song because of you.
When The Strokes split, the world didn’t stop spinning for you; despite the massive number of hearts broken. Your solo stuff was fun, but it wasn’t The Strokes; if anything, it’s what carried most of us until
Angles released. All praise aside, the way in which this album was produced was totally fucked. I know you wanted to distance yourself from your band-mates, but to record your parts in a
separate studio was absurd, to say the least. You're one of the last crooners and quite possibly my favorite, but with all due respect, get your head outta your ass! This isn’t how bands should communicate, regardless if you were trying to make a point to them or to us. You’re a father now, is this how you’re going to teach your son to deal with his problems? Please, for the sake of the music; play nice. No one wants The Strokes together if they can’t work together effectively. I’d say that this album is an anomaly because it came out so well. Consider this a plea from one guy who appreciates the work you produce.
Respectfully,
Torn (F.C. Zamani)